A traditionally pieced, woodland inspired quilt that finishes 57" x 67 1/2". This traditionally pieced, block based pattern collection is great for the beginner sewist and up! The Fresh as a Daisy pattern is a traditionally pieced quilt pattern that includes instructions for two different versions - modern and scrappy Papercut Patterns is a New Zealand based pattern design house that celebrates the combination of women’s individuality and eco-friendly fashion. We design modern and renewable sewing patterns for a wide range of garments that span across all skill levels, that are available to purchase physically or digitally for your convenience A pattern cut out of paper; specifically a dressmaking pattern printed on paper (now usually on tissue paper)
Pen + Paper Patterns
Browse Collection. Antique straight Wolfe: Antique straight Muira: not listed Historically Wolfe suggests that the Antique straight is a pattern seen at least as early as the 17th century. This pattern is very similar to and could be mistaken for a Zebra pattern. Wolfe's explanation of how both are created distinguishes between the two mostly by their final step. The Zebra having less finely sized drops of color than one would paper patterm in an Antique straight.
This pattern is created by first completing a Feather pattern, paper patterm. Then, a shower of fine usually white color dots would be sprinkled over the entire bath. Wolfe plate Paper patterm » View Examples. Bouquet Alternative paper patterm names: Peacock, paper patterm, Bukett Wolfe: Peacock Miura: Bouquet marble This pattern was created near the end of the 18th century. The Bouquet pattern is similar to the Peacock in that for both patterns the final step is done the exact same way; however, paper patterm, a Bouquet pattern according to Muira begins with a Nonpareil base whereas Wolfe defines any paper patterm pattern whose final step is done this way to be a Peacock.
According to Muira, the pattern is created by starting first with a Nonpareil base, paper patterm. Paper patterm this is finished, a comb with two sets of teeth is drawn vertically through the bath in loose, wavy lines which cause the appearance of the Nonpareil columns to fan out paper patterm appear to be a small bouquet.
Muira pgs Bouquet ; Wolfe plates XXV 25, paper patterm, XXXV Peacock » View Examples. Dahlia Wolfe: not listed Muira: Dahlia The pattern was created during the end of the 19th century. The pattern is created by starting with a Zebra base. Next according to Muira, another color mixed with ox gall is thrown onto the bath. Paper patterm a final step, a third color is then lightly sprinkled onto top, creating flower-like patterns to occur which are reminiscent of paper patterm Dahlia.
Muira pg 84 » View Examples. Double comb Wolfe: Double comb pattern Muira: Muira does not offer a separate name for this pattern; instead he includes an example of it when he illustrates the Nonpareil marble. Maurer-Mathison: Double Nonpareil. This pattern is created by first making a standard Nonpareil pattern. Once this is done, paper patterm, a final comb with one set of teeth set in wider intervals than was used in the Nonpareil is drawn once more through the bath.
This last step causes the numerous, paper patterm, arched lines to be broken into separate, arched columns. Wolfe plate XXV ; Muira pg 93 illustration B ; Maurer-Mathison paper patterm 80 » View Examples.
The first instance of Double marbling was seen in the 17th century. A Double marble is created when, after the first desired pattern is completed and the paper dried, the same paper is again treated with Alum and marbled with the second pattern over the top of the first.
Muira pgs ; Schleicher pgs » View Examples. Extra Alternative pattern names: Drag, Allongé, Tiré, Schleppmuster, paper patterm, Zugmuster Wolfe: Extra Muira: Drag This pattern was first created in the 19th century. This pattern is similar to the British Muira pg 51 and Spanish Drag Wolfe plate XXXVI patterns.
The British pattern is distinguishable because of its strong tendency towards use paper patterm darker colors not associated with a regular Extra or Drag marble.
The Spanish Drag is simply an Extra pattern with the addition of the paper patterm linear work, characteristic of the Spanish pattern, paper patterm.
This paper patterm is created by starting with a Turkish base then once the paper is laid onto the bath to be pulled it is dragged forward, elongating the spots. Wolfe plate XXXVI Extra ; Muira pg 50 Drag » View Examples. Fantasy Alternative pattern names: Fancy, Maître-Relieur, Fantaisie, paper patterm, Phantasie Wolfe: Although Wolfe does not address this pattern name he does show an oil-based ink sample of it.
Muira: Fantasy marble This is a more modern pattern created sometime between the end of the 19th and early 20th centuries. It is because paper patterm the this pattern's use of thin size, paper patterm, which causes its paper patterm and spots to remain unsmooth, that it could be misinterpreted and thought to be a marble made with oil-based inks which share similar spotting and irregular line work, paper patterm.
The pattern is created, paper patterm, according to Muira, by starting with a Turkish base using a very thin size or pure water. A stylus would then be used to drawn the colors into the desired shapes, paper patterm. Generally, the shapes created in a Fantasy marble are less structured and formal than you would see in a regular marbled pattern, paper patterm. Wolfe plate XXXVIII ; Muira pgs » View Examples. Fountain Alternative pattern names: Peigne Fontaine, paper patterm, Springbrunnen Wolfe: not listed Muira: Fountain This pattern is created by starting with a Turkish base.
A comb with one set of teeth is then drawn back and forth, paper patterm, across the bath Muira causing the spots to have the appearance of gushing water. Muira pg 89 » View Examples. French Curl Alternative name: Snail, Curl, Escargot, Tourniquet, paper patterm, Coquille, Schnecken Wolfe: French Curl Muira: Snail This pattern is created when any base pattern desired is paper patterm. Next an individual stylus or comb with one set of teeth set in width intervals would be inserted into the bath and swirled, paper patterm, completing the French Curl aspect.
Wolfe plates XXXV French Curl ; Muira pgs Snail » View Examples. Gloster Alternative pattern names: Gloucester, Partidge's Eye, Oeil de Perdrix, Stein Marmor mit Grießtropfen Wolfe: Although Wolfe does provide an example of this pattern he only acknowledges where the example was made Gloucester rather than suggesting this is the name of the pattern itself. Muira: Gloster This pattern is similar to and often mistaken for a Stormont pattern.
Both of these patterns employ the use of a dispersant such as turpentine to cause their distinctive white open spots. The difference is that the Stormont pattern, overall, appears to be more like a Turkish pattern in that the ink has been mixed with the dispersant to cover the entire surface, whereas the Gloster looks more like a Zebra pattern where the dispersant has only been mixed with a single color, making the spots distinctive from the other colors used, paper patterm.
The pattern is created by starting with a Turkish base, then a comb with one set of teeth is drawn across the bath twice vertically or horizontallyonce in either direction with the second pass halving the first.
Then one or more colors of ink mixed with a dispersant are sprinkled onto the bath, causing those last paper patterm to have open, very fine spots inside them. Wolfe plate XXXVI Gloucester ; Muira pg 88 Gloster » View Examples.
This pattern is related to the Turkish pattern, the only difference in process being that with a Gold Vein marble there is the initial step of using bronze inks. This pattern is created in the regular Turkish pattern way however the first color to be thrown onto the bath would paper patterm bronze ink, ensuring that any following colors would have gold veins running between them.
Muira pg » View Examples. Italian Alternative pattern names: Neo-Italian, Vein, Hair Vein, Veiné, Moucheté, Haarader, paper patterm, Ader Wolfe and Muira: Italian This pattern was created in Italy near paper patterm end of the 18th century. Its name is likely based equally on it nation of origin and the fact that it paper patterm closely resembles the actual stone, Italian marble.
This pattern is created when after however many colors desired are thrown onto the bath, paper patterm. Then a dispersant is sprinkled over the entire bath in fine dots. These tiny drops of paper patterm cause the previously thrown colors to constrict into tiny veins. Muira suggests that the dispersant might be made up of a mixture of soap, spirits and ox gall and then sprinkled over the bath through fine wire mesh to maintain the size of the dispersant drops, paper patterm.
These constricted veins cause the colors to appear as they would in marbled stone. Wolfe plates XXXVI ; Muira pg 52 » View Examples. Morris Wolfe: not listed Muira: Morris This pattern's origin dates from the end of the 19th century. Muira suggested it may have been created by E.
Morris who was a printer in London or possibly by a gentleman named Morris who worked in Oxford. The pattern is created in a manor unlike the traditional western style of marbling. A paper is soaked with water by a sponge.
Then colors are dropped onto the paper. Because the paper is already wet the colors dropped onto it run into one another in a sort of watercolor effect, paper patterm. Muira suggests that if the creator desires it the paper can be moved in such a way as to guide the flow of the colors on the page.
This particular pattern can easily be done using this water-based process as well as oil-based ones. All are variations of one another and are often mistaken for each other, paper patterm. The major differences are very difficult to pinpoint, but seem to stem from the size of intervals the last comb's teeth are set in. This pattern is created when the desired colors are dropped sequentially onto the bath using some sort of implement to regulate the drop sizes.
According to Muira a comb with one set of teeth set at intervals of mm is drawn through the bath horizontally, paper patterm, once in either direction with the second pass halving the first. Then another comb with teeth set at mm is drawn once across the bath vertically or horizontally.
Wolfe plate XXIX ; Muira pgs » View Examples. Overprinted Wolfe: Overprinted Muira: not listed This is related to but not the same as a Double marble, paper patterm.
A Double marble is when a single sheet of paper has been marbled, dried and that same paper has been marbled again on the same side. Overprinted is when a paper has been marbled and then a second marble paper patterm done paper patterm the first by a paper patterm process. Note that the first pattern may have been printed as well rather than being done on a bath. Wolfe plate XXXVII Gold vein overprinted » View Examples. Montgolfier beginning around This pattern is created when a paper, treated with potassium hydroxide or caustic paper patterm, is laid out on a flat surface, paper patterm.
The colors used would be the same as those for other marbled papers only here would be mixed with starch and alum. The colors would then be applied to the paper patterm either by sprinkling them on or sponging them on.
When making a Papier Croisé, the final step requires that the paper be lifted up and shifted in turns while still wet. Wolfe plate XXI » View Examples. Papier Tourniquet Alternative pattern names: German, Gustav, Gustave Wolfe: Papier Tourniquet Muira does not have an example of this specific pattern but does have one which is of paper patterm same time period and which is closely related in its look and creation, the German Gustav marble. Muira acknowledges however, the relationship between the two patterns by identifying other known names for it as Papier Annonay and Gustave Marmor.
Wolfe paraphrasing M. According to Muira's related pattern German, Gustav this is most likely created when a piece of paper laid out on a flat surface is coated with a color. Then marbling brushes would be used to sprinkle color paper patterm onto the surface causing the characteristic spots of dispersed bleeding ink to be absorbed into the paper.
Wolfe plate XX Papier Tourniquet ; Muira pgs German » View Examples. Papier Coulé Alternative pattern names: Trickle, Riesel, Sliding paper Wolfe: Papier Coulé Muira: Trickle Papier Coulé is one of the three types of Annonay papiers. All three of the Annonay papiers paper patterm, according to Wolfe, created in the same basic way though their end results came from the way in which they were finished be it splattered, sponged, etc, paper patterm.
Papier Coulé is related to the other Annonay papers but is closest in appearance and creation to Papier Croisé, paper patterm.
Paper for Pattern Making - The option for it- Patterns, Blocks and more!
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Papercut Patterns is a New Zealand based pattern design house that celebrates the combination of women’s individuality and eco-friendly fashion. We design modern and renewable sewing patterns for a wide range of garments that span across all skill levels, that are available to purchase physically or digitally for your convenience Free Patterns Coming Soon! Customer Service Monday-Friday 9a - 5p CST: Paper Pieces LLC, Coleman Rd. Paducah, KY A traditionally pieced, woodland inspired quilt that finishes 57" x 67 1/2". This traditionally pieced, block based pattern collection is great for the beginner sewist and up! The Fresh as a Daisy pattern is a traditionally pieced quilt pattern that includes instructions for two different versions - modern and scrappy
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